Make more work, Make more Pots, Make more Art

The show season has started and off to a good start. I head to nashville next weekend with alot of new work and hopefully some eager buyers and collectors. The new work is more challenging my physical capabilities rather than my mental. I am still almost over my stubborness to hire an assitant. I really have a hard time liftin the work that I'm creating. I have to be a little cautious though because I really need another strong person in the studio to help me. That can tend to rule out most clay artists that would be a huge attribute to the studio but the workload and lifting can be an issue. We have been applying to new and more prestigous shows rather than the ones that we have been doin. Hopefully the work will be accepted. Teachin has been goin really well and my students are full of ideas and creativeness for the arts. Actually havin to pull the reigns on them inorder to teach the basics has been a little tough. Trying to teach walk before run with art majors is a lesson for myself to learn as well. Makework grant sessions have been goin really well. Just having a few hours to bounce ideas off other artists strugllin/sucessin and all the in between has been more beneficial for me than the logistics that we're learning about, promotion, marketing, etc. I have on a side note really been into homemade raviolli and experimenting with the fillin and sauces. It's like little Italy round my house right now. Studio is full of work and shows are lined up. So much of this artist life is risk. How calculated those risks are is really up to each individual artist. I think I'm on the right track for where I wanna go with my work. The hard part is trustin those intuitions and runnin with them.

Hot summer work

Another month gone and more new work comin out. Lots of stuff happenin right now. I will be gettin started with my second makework grant sesssion this wed. Lookin forward to seeing how everyone has progressed and sharin ideas about future projects. I get so wrapped up in makin work and shows and everything that goes into being a self sustaining/professional artist that finding time to get out and interact with local piers can be tough. I'm probably out of town most of the time settin up for a show, givin a workshop or who knows these days. One day runs into the next. I like the spontaneous schedule vs a regimented 40-50 hr work week. I've been battiling with my yard equipment on top of other things that keep me busy throughout the yard and house. i've been trying to integrate a 3-4 hr work interval with my studio work rather than a full 8-10 hr work day. My theory is that it will help me focus on specific tasks throughout the day rather than having one big project or task starin me in the face. I can be more efficient and creative giving ample time to each project or piece with little breaks here and there to break up the monotiny. As the work gets bigger and more dramatic I'm finding that focusing on 3-4 pieces rather than 10-12 pieces gives a better result in the level of artistry and craftmanship that I'm lookin for and want to present. The work really has to move me inorder for it to survive. I cant settle for the "That'll work" kinda work. I think you end up slowly finding yourself lookin like the next guy with the same kinda work. My summer process has been just to continue to make work and let it dry for firing. This takes awhile to see completion but seems to be the best way for me to work. The heat has been crazy hot and has been testin my commitment levels....just kiddin. It has been hot though. I try to roll out of bed around 5am which is like gettin a kick in the balls sometimes. I have this philosphy that if its super hard to do or really challenges your motivation than it will probably be the best thing for your work or life. I literally sit up on the bed, early morn, still dark and say to myself" if you really want this shadow, than this is what its gonna take. now get your ass up and go create." Same goes for late in the evening when its time to chill and drink a couple beers. You figure out what works for you. If you really want it most of the time burnin the midnite oil is what it takes. Theres 24hrs in the day and you figure out how to get it done. If it was easy than everyone would be doin it. I dont have ac out in the studio so early morns beat the heat and get the day goin early with more time to do more stuff. Go, go ,go. My good friends and neighbors just had there second beutiful lil baby girl. Her name is Poppy. New and young folks with kids are startin to move into the redbank neighborhood. pretty exciting to see community grow. Shows kick off in about a month with Atlanta Arts Festival in piedmont park Sept. 17th-18th. I had three altercations in choosin shows this year. One was deciding not to do artclectic this year in Nashville. I will be doin the oct. Southern Highland Guild Show instead. Second, I will not attend "the Festival Of the Masters" show in orlando this year. Third with alot of persistance I will be attending the Greater Gulf Coast arts Festival in Pensacola FL in Nov. instead of doin the Western NC potters festival. The evolution of the work is dictating alot of the show decisions. Gettin ready to start up at UTC helpin Maggie out. Lookin forward to that. Just keep showin up, whatever it is is my work and life attitude. Keep pluggin away at what you love and wait for things to come full circle.

Shadow Makin Moves

Thought I'd make a quick entry with whats happenin lately. Had my first Makework Grant meeting this past week. Awsome group of artists/ entrepenuers. Actors, producers, glass artist to chattanooga artistic growth promoters. Alot of really cool ideas and ventures. I did notice that almost every grantee had been or had just moved to Chattanooga within the last 6 years. That seems really cool to think that Chattanooga is drawing or extracting unique individuals to this area. I never thought of Chattanooga until my wife introduced the idea of the possibilities. So five years later, workin as an artist/potter/sculptor, one studio fire under my belt, a two year rentee of my good friend Terry "The Loose" Cannon, new homeowner, a beautiful baby boy named Rocket, and a Makework Grantee I have hopefully smudged the surface of being a clay artist on Chattanoogas map. I've recently taken on the position at UTC of Adjunct professor. Actually since I do not hold a degree I fall under the title of Lab Tech. I am super stoked to be workin under Maggie Mcmahon(UTC professor of ceramics) I have a super packed fall show season and will be teachin ceramics I tues and thurs. It is more of a really good opportunity for my next step in clay rather than pay. I am really thankful for the opportunity and cant wait to start classes. I will probably chip away at my undergrad through the years for later, I mean later backup. I really want to be emerged in the art/clay world, in the trenches sorta speak. Where the real art is made. I am gearing up for my first Southern Highlands Guild Show in july. I will have a two piece show up in the guild prior and after the show. The show is July21-24th. I will be corner booth#200 on the bottom floor. Lots of new work comin out for this show. Trying to price kilns and time everything accordingly as far as the grant money goes. I've been alloted six checks equally for the next six months, so I will save a few checks for the new big kiln and make work and get it drying for the next step. My family has been super awsome and supportive through my long work hours. I always make time to play and goof off with them anytime of the day. We're headin to the beach for a few and get some sand in our toes. More later.

Really cool stuff goin on

Back at the social media. Been away for a little bit busy with shows and all kinds of cool stuff. Spring show season was awsome for us this year. It seems like I've progressively changed the work in a matter of months and wasnt sure how the public art buying crowd would respond. I think anytime you let your work evolve no matter how fast the progression, you leave yourself out there for alot of rejection,contemplation and criticism. The few who get what your doin arwe the ones that keep you going. I'm really happy and motivated more to make work that is dramatic and deliberate. I really think I just got tired of hearing "is this microwave, dishwasher, and oven safe." Its molded alot of how I look at my approach to the clay, even more than a few years ago. I think the spring shows validated the new work and gave me alot of steam to push the limits even more. I got back from giving one of my "Bold Pots" workshop at TN Tech Appalachian center for craft in Smithville,TN. What a great place. I was only there for the weekend but the experience was memorable. My students ranged from beginner to advanced and we all learned alot from eachother. I' really enjoying pluggin in workshops in between shows. Making a living as an artist is lucrative enough. If you can balance out your work and time between shows, galleries and woerkshops you can have a really fun, adventurous and prosperous artist lifestyle. I do wish I had a partime/40hr week job where I can clock in/out then I laugh and get back into the clay. We recently recieved great news that we recieved a makework grant through an organization called Createhere in chattanooga TN. I cant even describe how huge this is for our lil project and family. We are very grateful and plan to expand smartly and progressively with the studio and work. I plan to order clay and glaze material asap and seriously pricing larger kilns. I am super stoked to see how the woek evolves in the coming months.Organizations like createhere that offer grants really do allow people like me to move forward with my art. Money made from being a full time artist usually always goes to paying bills and stuff and leaves little to no room for putting back into the work. This grant allows me to not have to dip into our personal funds to progress as an artist. Dont get me wrong we've gotten this far and wouldve continued even had we not got the grant. This grant allows us to be progressive with our curiosity for clay and explore more possibilties with a little less stress to keep up. These pics are pre grant but the work is getting alot bigger and heavier. I still enjoy keeping a reference or gesture of function but it not be intended for use. They're about 50-75 or more pnds to each piece. I am gearing up for my first SHCG show in Ashville this july. Also I just set up my first sculpture show here in Chattanooga. I have 6 pieces and share the show with two well known sculptors, Issac Duncan III and Andy Light. Their work is awsome. The show is at Front Gallery in the south side of Chattanooga off of main street. It opened june 3rd and will go to the end of July with an artist reception July 15th. Come check it out. Its going to be a great show. I will be delivering 6 more pieces to Swan Coach House Gallery in Atlanta Ga for show as well which opensJune 9th with a 6-8 pm reception. I will be on my blog alot more with new pics of work and updates of how I am managing and spending my grant so stay tuned.Rocket and Ana are doin great and I couldnt imagine life w/o them. Ana is starting her MBA so thats gonna take alot of her time. She has really built the whole media side to Shadow May. I'm just the mule out in the mancave making really heavy stuff, hopefully really inspiring,heavy stuff. Rocket is a handful and a sweet lil boy. Teaching him please and thankyou is setting in and I'm proud of him.The website is nowchanged to www.shadowmay.com but you can still get to it with www.shadowpottery.com More later.