Make more work, Make more Pots, Make more Art

The show season has started and off to a good start. I head to nashville next weekend with alot of new work and hopefully some eager buyers and collectors. The new work is more challenging my physical capabilities rather than my mental. I am still almost over my stubborness to hire an assitant. I really have a hard time liftin the work that I'm creating. I have to be a little cautious though because I really need another strong person in the studio to help me. That can tend to rule out most clay artists that would be a huge attribute to the studio but the workload and lifting can be an issue. We have been applying to new and more prestigous shows rather than the ones that we have been doin. Hopefully the work will be accepted. Teachin has been goin really well and my students are full of ideas and creativeness for the arts. Actually havin to pull the reigns on them inorder to teach the basics has been a little tough. Trying to teach walk before run with art majors is a lesson for myself to learn as well. Makework grant sessions have been goin really well. Just having a few hours to bounce ideas off other artists strugllin/sucessin and all the in between has been more beneficial for me than the logistics that we're learning about, promotion, marketing, etc. I have on a side note really been into homemade raviolli and experimenting with the fillin and sauces. It's like little Italy round my house right now. Studio is full of work and shows are lined up. So much of this artist life is risk. How calculated those risks are is really up to each individual artist. I think I'm on the right track for where I wanna go with my work. The hard part is trustin those intuitions and runnin with them.

Hot summer work

Another month gone and more new work comin out. Lots of stuff happenin right now. I will be gettin started with my second makework grant sesssion this wed. Lookin forward to seeing how everyone has progressed and sharin ideas about future projects. I get so wrapped up in makin work and shows and everything that goes into being a self sustaining/professional artist that finding time to get out and interact with local piers can be tough. I'm probably out of town most of the time settin up for a show, givin a workshop or who knows these days. One day runs into the next. I like the spontaneous schedule vs a regimented 40-50 hr work week. I've been battiling with my yard equipment on top of other things that keep me busy throughout the yard and house. i've been trying to integrate a 3-4 hr work interval with my studio work rather than a full 8-10 hr work day. My theory is that it will help me focus on specific tasks throughout the day rather than having one big project or task starin me in the face. I can be more efficient and creative giving ample time to each project or piece with little breaks here and there to break up the monotiny. As the work gets bigger and more dramatic I'm finding that focusing on 3-4 pieces rather than 10-12 pieces gives a better result in the level of artistry and craftmanship that I'm lookin for and want to present. The work really has to move me inorder for it to survive. I cant settle for the "That'll work" kinda work. I think you end up slowly finding yourself lookin like the next guy with the same kinda work. My summer process has been just to continue to make work and let it dry for firing. This takes awhile to see completion but seems to be the best way for me to work. The heat has been crazy hot and has been testin my commitment levels....just kiddin. It has been hot though. I try to roll out of bed around 5am which is like gettin a kick in the balls sometimes. I have this philosphy that if its super hard to do or really challenges your motivation than it will probably be the best thing for your work or life. I literally sit up on the bed, early morn, still dark and say to myself" if you really want this shadow, than this is what its gonna take. now get your ass up and go create." Same goes for late in the evening when its time to chill and drink a couple beers. You figure out what works for you. If you really want it most of the time burnin the midnite oil is what it takes. Theres 24hrs in the day and you figure out how to get it done. If it was easy than everyone would be doin it. I dont have ac out in the studio so early morns beat the heat and get the day goin early with more time to do more stuff. Go, go ,go. My good friends and neighbors just had there second beutiful lil baby girl. Her name is Poppy. New and young folks with kids are startin to move into the redbank neighborhood. pretty exciting to see community grow. Shows kick off in about a month with Atlanta Arts Festival in piedmont park Sept. 17th-18th. I had three altercations in choosin shows this year. One was deciding not to do artclectic this year in Nashville. I will be doin the oct. Southern Highland Guild Show instead. Second, I will not attend "the Festival Of the Masters" show in orlando this year. Third with alot of persistance I will be attending the Greater Gulf Coast arts Festival in Pensacola FL in Nov. instead of doin the Western NC potters festival. The evolution of the work is dictating alot of the show decisions. Gettin ready to start up at UTC helpin Maggie out. Lookin forward to that. Just keep showin up, whatever it is is my work and life attitude. Keep pluggin away at what you love and wait for things to come full circle.

Busy Summer

july has been full with anticipation for my first Southern Highlands Guild Show in Asheville, NC. Believe it or not I've been rejected from the jury process 4 times in the last five years before I was accepted. My work has changed so drasticallyy that I'm not real sure what to expect from this show. I am lookin forwward to seeing ol friends that i havent seen in close to ten years. My studio has been a war zone. Constantly makin more new work and never lettin stay the way it was has pushed my mental and physical capacity. I really think I pulled a pec muscle lifting and glazin one of my pieces. An assistant is needed not to far in the future. I think I've decide that my attitude towards the shows has been that of a sculptor rather than a potter. I went from being able to fit and fire 30-40 pieces in my kiln to 3-4. I cant turn back now. the addiction of making dramatic, large pieces has taken over.I had a really good reception for my Sculpture show at the Front Gallery in Chattanooga. Spent all last week at my friends wood shop building new pedestals for my booth. I have been doin alot of gallery shows and giving away all my old pedestals to that. I really like the new look now. As my work changes the whole process changes, Booth, trailer, bins that I put the work in for traveling. The summer is a good time to make changes or use to be because I never had anything going on till fall. Definetely more fast paced this summer. I've had my first makework grant session and I will recieve 2 of my six grant checks today. I ve spent a little of the first one on clay and glazes to get the work process movin. Each piece takes at least a month to completely dry before it can go through the kiln. I will be purchasing another kiln soon but the timting of work production has been first. My fall show schedule is packed and I'm workin on gettin my new workshop/instructor proposal out. I start my adjunct position at UTC in august and I'm really excited about that. My family is doin great. We celebrated Rockets 2nd birthday. Two years has gone by too damn fast and it aint stoppin. My work/family balance has improved. More walks with my son and wife have been good and we always cook and eat together. Lovin life.